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Currently being Updated, we apologize for the inconveneice.
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Region: 1 Video: Enhanced Widescreen Letterbox for 16x9 TV DVD Aspect Ratio: Theatre Wide-Screen (1.85:1) Audio: Dolby Digital w/ sub-woofer channel Language: English, French Subtitles: English, French, Spanish Weight factor: 1 item(s)
Plot Synopsis
Director Ridley Scott spins this yarn concerning a Harlem drug kingpin (Denzel Washington) who smuggles heroin into the country by hiding it in the bodies of U.S. soldiers killed during battle in Vietnam. There was a time when no one noticed reserved driver Frank Lucas (Washington), but when the criminal kingpin he was charged with transporting through the city streets suddenly dies, Lucas seizes the opportunity to build his own criminal empire. In the following months, Lucas solidifies his status as Harlem's most innovative drug dealer by delivering a product that is purer than the competitors' and cheaper, as well. When innovative businessman Lukas attempts to go semi-legit by becoming one of the Manhattan borough's biggest civil supporters, however, street-savvy outcast cop Ritchie Roberts (Russell Crowe) begins to sense a sizable shift in the hierarchy of the drug underworld. But Roberts is one of the few honest detectives operating within a corrupt system, and as he sets out to investigate the case, crooked detective Trupo (Josh Brolin) does everything in his power to compromise the integrity of his idealistic counterpart. Upon clearing all of the usual Mafia-connected suspects, Roberts begins to believe that a previously unknown black power player has come out of the woodwork to dominate the local drug trade. While Roberts and Lucas may be operating on opposite sides of the law, the one thing that both men have in common is a strict code of ethics that separates them from their opportunistic colleagues. Now, as a confrontation between the two men becomes inevitable and the fate of each becomes inexorably tied to the other, it gradually becomes apparent that only one of them will emerge from the conflict victorious. ~ Jason Buchanan, All Movie Guide
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Editorial Reviews:
The difference between early Ridley Scott, like The Duellists and Alien and late-period Ridley Scott, like Black Rain and Hannibal, is the difference between "stylish" and "slick." In the former, the look of a film -- the photography, the art direction, the costuming -- is as much the subject of the film as whatever the story happens to be. In the latter, all the emphasis on surface things only underscores the fact that there is nothing going on at the heart of the films. American Gangster is a welcome return to the "stylish" Ridley Scott. Unlike Matchstick Men or Black Hawk Down, American Gangster feels like an impersonal work for the director, and in this case that is a very good thing. Scott allows his remarkably gifted collaborators -- cinematographer Harris Savides, editor Pietro Scalia, and screenwriter Steven Zaillian -- to do what they do best and simply uses his own skills to keep everything moving along in a solid, professional way.
Though they are kept apart for the vast majority of the film's 160-minute running time, Denzel Washington and Russell Crowe carry their respective sections of the flick with movie-star ease. As larger-than-life criminal mastermind Frank Lucas, Washington gets to utilize his formidable charm while only once falling into the overacting that afflicts him on occasion when playing outright bad guys. As the ethically pure cop out to bring Frank down, Crowe offers his nearly patented brand of brooding physicality. There is nothing new about these characters, or in the film as a whole, but the solidly structured story draws parallels between the two men -- playing up the old "bad guy isn't so bad" and the "good guy isn't so good" themes that might seem incredibly tired in the hands of lesser actors and filmmakers. An end-of-film decision by Frank softens the film a great deal; this is, after all, Hollywood product, and it would be unacceptable to not like both the leads, but seeing as nothing that has come before indicates anyone was aiming for art, this twist can be forgiven. American Gangster is nothing more or less than product, sure to satisfy those who need a genre fix. ~ Perry Seibert, All Movie Guide
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The difference between early Ridley Scott, like The Duellists and Alien and late-period Ridley Scott, like Black Rain and Hannibal, is the difference between "stylish" and "slick." In the former, the look of a film -- the photography, the art direction, the costuming -- is as much the subject of the film as whatever the story happens to be. In the latter, all the emphasis on surface things only underscores the fact that there is nothing going on at the heart of the films. American Gangster is a welcome return to the "stylish" Ridley Scott. Unlike Matchstick Men or Black Hawk Down, American Gangster feels like an impersonal work for the director, and in this case that is a very good thing. Scott allows his remarkably gifted collaborators -- cinematographer Harris Savides, editor Pietro Scalia, and screenwriter Steven Zaillian -- to do what they do best and simply uses his own skills to keep everything moving along in a solid, professional way.
Though they are kept apart for the vast majority of the film's 160-minute running time, Denzel Washington and Russell Crowe carry their respective sections of the flick with movie-star ease. As larger-than-life criminal mastermind Frank Lucas, Washington gets to utilize his formidable charm while only once falling into the overacting that afflicts him on occasion when playing outright bad guys. As the ethically pure cop out to bring Frank down, Crowe offers his nearly patented brand of brooding physicality. There is nothing new about these characters, or in the film as a whole, but the solidly structured story draws parallels between the two men -- playing up the old "bad guy isn't so bad" and the "good guy isn't so good" themes that might seem incredibly tired in the hands of lesser actors and filmmakers. An end-of-film decision by Frank softens the film a great deal; this is, after all, Hollywood product, and it would be unacceptable to not like both the leads, but seeing as nothing that has come before indicates anyone was aiming for art, this twist can be forgiven. American Gangster is nothing more or less than product, sure to satisfy those who need a genre fix. ~ Perry Seibert, All Movie Guide
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Chapters
Disc #1 -- American Gangster
1. What's Wrong With America
2. You've Been Served
3. Tampering With Evidence
4. Into the Jungle
5. Kill or Be Killed
6. Blue Magic
7. New Offensive
8. Big Money
9. Frank's Place
10. Old Friends
11. Business Is Booming
12. Special Investigations
13. Family Operated
14. On the Take
15. Ain't Gonna Run
16. Success Has Enemies
17. Search and Seizure
18. Out at Home
19. Turning Evidence
20. End Titles
1. What's Wrong With America
2. You've Been Served
3. Tampering With Evidence
4. Into the Jungle
5. Kill or Be Killed
6. Blue Magic
7. New Offensive
8. Big Money
9. Frank's Place
10. Old Friends
11. Business Is Booming
12. Special Investigations
13. Family Operated
14. On the Take
15. Ain't Gonna Run
16. Success Has Enemies
17. Search and Seizure
18. Out at Home
19. Turning Evidence
20. End Titles
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DVD Menu
Disc #1 -- American Gangster
Play Theatrical Version
Play
Scenes
Bonus Features
Feature Commentary With Director Ridley Scott and Writer Steven Zaillian (Theatrical Version Only): On/Off
Languages
Spoken Language
English 5.1
Français 5.1
Feature Commentary With Directir Ridley Scott and Writer Steven Zaillian
Subtitles
English SDH
Español
Français
Off
Play Unrated Extended Edition
Play
Scenes
Bonus Features
Feature Commentary With Director Ridley Scott and Writer Steven Zaillian (Theatrical Version Only): On/Off
Languages
Spoken Language
English 5.1
Subtitles
English SDH
Español
Français
Off
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4 - customer reviews
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Cast
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Production Credits
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Alexander Witt
| - | Second Unit Director | |
Arthur Max
| - | Production Designer | |
Avy Kaufman
| - | Casting | |
Beth A. Rubino
| - | Set Decorator | |
Bob Beemer
| - | Re-Recording Mixer | |
Branko Lustig
| - | Executive Producer | |
Brian Grazer
| - | Producer | |
Darin John Rivetti
| - | First Assistant Director | |
Harris Savides
| - | Cinematographer | |
James Whitaker
| - | Executive Producer | |
Janty Yates
| - | Costume Designer | |
Jonathan Filley
| - | Co-producer | |
Karen Kehela Sherwood
| - | Executive Producer | |
Kathy Nelson
| - | Musical Direction/Supervision | |
Leslie Rollins
| - | Set Decorator | |
Marc Streitenfeld
| - | Composer (Music Score) | |
Michael Costigan
| - | Executive Producer | |
Michael Minkler
| - | Re-Recording Mixer | |
Nicholas Lundy
| - | Art Director | |
Nicholas Pileggi
| - | Executive Producer | |
Per Hallberg
| - | Supervising Sound Editor | |
Pietro Scalia
| - | Editor | |
Ridley Scott
| - | Director, Producer | |
Sarah Bowen
| - | Co-producer | |
Steven Zaillian
| - | Executive Producer, Screenwriter | |
William Sarokin
| - | Sound/Sound Designer |
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Format: HD-DVD
Release Date: 2/19/2008
UPC: 025195020879
Item ID: 898509
Studio: UNIVERSAL STUDIOS
ProductID: MHV61102687HD
Region: 1 Video: Enhanced Widescreen Letterbox for 16x9 TV DVD Aspect Ratio: Theatre Wide-Screen (1.85:1) Audio: Dolby Digital w/ sub-woofer channel Language: English, French Subtitles: English, French, Spanish Weight factor: 1 item(s)
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Features
Side A:
Original theatrical version includes feature commentary with director Ridley Scott and writer Steven Zaillian
Deleted scenes including an alternate opening
And more!
Side B:
Unrated Extended Version over 18 minutes of additional footage not shown in theaters and an alternate ending
Original theatrical version
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