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Currently being Updated, we apologize for the inconveneice.
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Region: Video: Enhanced Widescreen Letterbox for 16x9 TV DVD Aspect Ratio: Theatre Wide-Screen (1.85:1) Language: English Subtitles: English, French, Spanish Weight factor: 1 item(s)
Plot Synopsis
The war on drugs has been lost, and when a reluctant undercover cop is ordered to spy on those he is closest to, the toll that the mission takes on his sanity is too great to comprehend in director Richard Linklater's rotoscoped take on Philip K. Dick's classic novel. With stratospheric concern over national security prompting paranoid government officials to begin spying on citizens, trust is a luxury and everyone is a suspected criminal until proven otherwise. Bob Arctor (Keanu Reeves) is a narcotics officer who is issued an order to spy on his friends and report back to headquarters. In addition to being a cop, though, Arctor is also an addict. His drug of choice is a ubiquitous street drug called Substance D, a drug known well for producing split personalities in its users. ~ Jason Buchanan, All Movie Guide
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Editorial Reviews:
Richard Linklater's decision to film his adaptation of Philip K. Dick's A Scanner Darkly in an animated style similar to his earlier film Waking Life exemplifies everything good about him as a filmmaker. By forcing viewers to constantly assess what and who they are looking at, Linklater is able to underscore the paranoid and Big Brother surveillance aspects of the story -- elements further enhanced when one recalls this film hit theaters around the time that surveillance tactics were a hotly contested political issue. Linklater does a fine job of opening up these topics for examination, and he even allows his audience to laugh at the same time. The drugged-out ramblings and misadventures of characters played by Robert Downey Jr., Woody Harrelson, and Rory Cochrane offer comic relief so humorous that it occasionally overwhelms the more serious aspects of the film. One gets the feeling that if Linklater ever wanted to have a giant box-office success he could make a great stoner comedy with the three of them. As funny and interesting as the entire film is, it falls short of entering the pantheon of great Linklater films mostly because the style of the film makes it hard to think of the characters in the film as real people. The audience will find it interesting when Keanu Reeves' undercover drug officer Bob Arctor slowly begins to lose himself in a haze of addiction, paranoia, and psychosis, but there is no sense of real human tragedy or loss. This lack of catharsis is underscored when, for the movie's end, Linklater appropriates Dick's personal note from the book where Dick dedicates it to a list of friends and acquaintances who have suffered from drug abuse. That simple list of names and afflictions carries more emotional weight than the film. Even if it is too cerebral by a hair, Linklater's film asks intelligent questions about the many ways drugs and drug policy affect society and individuals. By capturing the paranoia of that world, and presenting it in a style that creates a unique viewing experience, A Scanner Darkly stands as one of the very best Philip K. Dick adaptations. ~ Perry Seibert, All Movie Guide
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Richard Linklater's decision to film his adaptation of Philip K. Dick's A Scanner Darkly in an animated style similar to his earlier film Waking Life exemplifies everything good about him as a filmmaker. By forcing viewers to constantly assess what and who they are looking at, Linklater is able to underscore the paranoid and Big Brother surveillance aspects of the story -- elements further enhanced when one recalls this film hit theaters around the time that surveillance tactics were a hotly contested political issue. Linklater does a fine job of opening up these topics for examination, and he even allows his audience to laugh at the same time. The drugged-out ramblings and misadventures of characters played by Robert Downey Jr., Woody Harrelson, and Rory Cochrane offer comic relief so humorous that it occasionally overwhelms the more serious aspects of the film. One gets the feeling that if Linklater ever wanted to have a giant box-office success he could make a great stoner comedy with the three of them. As funny and interesting as the entire film is, it falls short of entering the pantheon of great Linklater films mostly because the style of the film makes it hard to think of the characters in the film as real people. The audience will find it interesting when Keanu Reeves' undercover drug officer Bob Arctor slowly begins to lose himself in a haze of addiction, paranoia, and psychosis, but there is no sense of real human tragedy or loss. This lack of catharsis is underscored when, for the movie's end, Linklater appropriates Dick's personal note from the book where Dick dedicates it to a list of friends and acquaintances who have suffered from drug abuse. That simple list of names and afflictions carries more emotional weight than the film. Even if it is too cerebral by a hair, Linklater's film asks intelligent questions about the many ways drugs and drug policy affect society and individuals. By capturing the paranoia of that world, and presenting it in a style that creates a unique viewing experience, A Scanner Darkly stands as one of the very best Philip K. Dick adaptations. ~ Perry Seibert, All Movie Guide
4 - customer reviews
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Cast
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Production Credits
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Aaron Sacco
| - | Animator | |
Alicia Traveria
| - | Animator | |
Amalia Litsa
| - | Animator | |
Anne Walker-McBay
| - | Producer | |
Ben Bays
| - | Animator | |
Ben Cosgrove
| - | Executive Producer | |
Benny Dunn
| - | Animator | |
Bob Sabiston
| - | Animation Director | |
Brooke Satrazemis
| - | Script Supervisor | |
Bruce Curtis
| - | Production Designer | |
Craig Matthew Staggs
| - | Animator | |
Dan Shuta
| - | Animator | |
Darylin Nagy
| - | Makeup, Department Head Hair | |
David Marquez
| - | Animator | |
Dean Hsieh
| - | Animator | |
Denise Chamian
| - | Casting | |
Dominic Cancilla
| - | Production Coordinator | |
Erin Ferguson
| - | Co-producer | |
Erwin Stoff
| - | Producer | |
Ethan Andrus
| - | Sound/Sound Designer | |
F. Joseph Santori
| - | Animator | |
George Clooney
| - | Executive Producer | |
Glenn Perkins
| - | Animator | |
Graham Reynolds
| - | Composer (Music Score) | |
Greg Geisler
| - | Animator | |
Ian Sebastian Kasnoff
| - | Construction Coordinator | |
J. Michael Stovall
| - | Animator | |
Jason Archer
| - | Animation Director | |
Jason Chalker
| - | Animator | |
Jason Stout
| - | Animator | |
Jennifer Fox
| - | Executive Producer | |
Jeremy Pierson
| - | Re-Recording Mixer | |
Joaquin Morin
| - | Set Decorator | |
John Bruch
| - | Animator | |
John Buckley
| - | Animator | |
John Ferguson
| - | Executive Producer | |
John Paul
| - | Animator | |
John Sloss
| - | Executive Producer | |
Jonah Smith
| - | Producer | |
Joseph Riley
| - | Animator | |
Justin Goldwater
| - | Animator | |
Justin Hennard
| - | Sound/Sound Designer | |
Kari Perkins
| - | Costume Designer | |
Kathleen Tull
| - | Second Assistant Director | |
Katina Gilkey
| - | Hair Styles | |
Kennon James
| - | Animator | |
Kevin Ang
| - | Animator | |
Kevin Peake
| - | Animator | |
Leah Sharpe
| - | Animator | |
Lorin Wood
| - | Animator | |
Matt Drake
| - | Animator | |
Melanie Armstrong Fletcher
| - | Costumes Supervisor | |
Melita Curphy
| - | Animator | |
Michael P. Garza
| - | Animator, Title Design | |
Michael Veroni
| - | Animator | |
Michael Wood
| - | Animator | |
Morgan Miles
| - | Production Accountant | |
Nathan Jensen
| - | Animator | |
Nic Ratner
| - | Musical Direction/Supervision | |
Palmer West
| - | Producer | |
Patty Duke
| - | Animator | |
Paul Adam
| - | Animator | |
Paul Ahern
| - | Animator | |
Paul Beck
| - | Animation Director | |
Peat Duggins
| - | Animator | |
Peter Atherton
| - | Location Manager | |
Philip K. Dick
| - | Book Author | |
Rahab El Ewaly
| - | Animator | |
Ralph Watson
| - | Camera Operator | |
Richard Gordoa
| - | Visual Effects Supervisor | |
Richard Linklater
| - | Director, Screenwriter | |
Robert B. Reynolds
| - | Chief Lighting Technician | |
Ryan Hennessee
| - | Animator | |
Sandra Adair
| - | Editor | |
Sara Greene
| - | Associate Producer | |
Shane F. Kelly
| - | Cinematographer | |
Sherard Jackson
| - | Animator | |
Skip Lievsay
| - | Re-Recording Mixer | |
Stefan Wilcox
| - | Properties Master | |
Steve Krieger
| - | Special Effects Coordinator | |
Steven Soderbergh
| - | Executive Producer | |
Susan Kirr
| - | Unit Production Manager | |
Susan Sabiston
| - | Animator | |
The Picture Mill
| - | Title Design | |
Thom Yorke
| - | Musical Performer | |
Thomas P. Reidy III
| - | Animator | |
Tom Hammond
| - | Re-Recording Mixer, Supervising Sound Editor | |
Tom Pallotta
| - | Producer | |
Vince Palmo
| - | First Assistant Director | |
Vivian P. Le
| - | Animator | |
Zach Hall
| - | Animator |
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Format: HD-DVD
Release Date: 4/10/2007
UPC: 012569810310
Item ID: 793550
Studio: WARNER HOME VIDEO
ProductID: WHV81031HD
Region: Video: Enhanced Widescreen Letterbox for 16x9 TV DVD Aspect Ratio: Theatre Wide-Screen (1.85:1) Language: English Subtitles: English, French, Spanish Weight factor: 1 item(s)
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Features
Commentary by Keanu Reeves, writer/director Richard Linklater, producer Tommy Pallotta, author Jonathan Lethem and Philip K. Dick's daughter Isa Dick-Hackett
One Summer in Austin: The Story of Filming A Scanner Darkly
The Weight of the Line: Animation Tales
Theatrical trailer
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