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Region: 1 Video: Enhanced Widescreen Letterbox for 16x9 TV DVD Aspect Ratio: Theatre Wide-Screen (1.85:1) Language: English Subtitles: English, French, Spanish Weight factor: 1 item(s)
Plot Synopsis
Director Tim Burton brings his unique vision and sensibility to Roald Dahl's classic children's story in this lavish screen interpretation. Willy Wonka (Johnny Depp) is the secretive and wildly imaginative man behind the world's most celebrated candy company, and while the Wonka factory is famously closed to visitors, the reclusive candy man decides to give five lucky children a chance to see the inside of his operation by placing "golden tickets" in five randomly selected chocolate bars. Charlie Bucket (Freddie Highmore), whose poor but loving family lives literally in the shadow of the Wonka factory, is lucky enough to obtain one of the tickets, and Charlie, escorted by his Grandpa Joe (David Kelly), is in for the ride of a lifetime as he tours the strange and remarkable world of Wonka with fellow winners, media-obsessed Mike Teavee (Jordan Fry), harsh and greedy Veruca Salt (Julia Winter), gluttonous Augustus Gloop (Philip Wiegratz), and ultra-competitive Violet Beauregarde (AnnaSophia Robb). Over the course of the day, some of the children will learn difficult lessons about themselves, and one will go on to become Wonka's new right hand. Charlie and the Chocolate Factory also stars Christopher Lee, James Fox, and Noah Taylor; the book was famously adapted to the screen before in 1971 under the title Willy Wonka and the Chocolate Factory, with Gene Wilder as the eccentric candy tycoon. ~ Mark Deming, All Movie Guide
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Editorial Reviews:
Charismatic and visually stunning, Charlie and the Chocolate Factory is a bizarre and funny take on this well-known and well-loved morality tale. While the film is an adaptation of the book by Roald Dahl, it remains difficult to avoid comparing it to the 1971 film by Mel Stuart, Willy Wonka and the Chocolate Factory. This more recent adaptation was not meant to be connected to the story's earlier incarnation, however, and that may be problematic for fans who are looking for Gene Wilder's coy interpretation of the eccentric candy man. Johnny Depp makes his Willy Wonka less of a slyly charming eccentric and more of a true-to-life shut-in--with a healthy shot of cartoonish fun thrown into the mix. Depp's Willy Wonka isn't a quick-witted father figure with a good-natured plan to teach a lesson to naughty children; he's genuinely shocked and disgusted by the behavior of these greedy youngsters and their maligned parents. His fantastic characterization and charm overpower the absurd comparisons to Michael Jackson, not least because his Wonka doesn't even seem to particularly like kids. Freddie Highmore's performance as Charlie is a breath of fresh air in child-acting, as he remains the only good-hearted kid of the bunch without so much as approaching saccharine. And of course, some mention must be made of Tim Burton's genius take on the Oompa Loompa(s): how many times the awesome Deep Roy had to shoot each scene to create his many alter-egos, we may never know. All these well balanced parts fit together for a compelling story that balances the viewer's need both for dry, unforgiving humor and for childish wonder and hope. Charlie and the Chocolate Factory is not nearly as suitable for children as its predecessor--the scene in which Veruca Salt is pinned to the floor Gulliver's Travels-style by a group of angry squirrels would be terrifying to a small child. This isn't a strike against the film, however, as this isn't so much a children's movie that's enjoyable to adults, but rather an adult film that will be loved by children. Even actual fans of the book should be delighted as the movie, above all, achieves the bizarre, otherworldly quality of Roald Dahl's work, seducing even the most jaded and corrupt grown-ups to its message with laughter, fantasy and awe. ~ Cammila Albertson, All Movie Guide
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Charismatic and visually stunning, Charlie and the Chocolate Factory is a bizarre and funny take on this well-known and well-loved morality tale. While the film is an adaptation of the book by Roald Dahl, it remains difficult to avoid comparing it to the 1971 film by Mel Stuart, Willy Wonka and the Chocolate Factory. This more recent adaptation was not meant to be connected to the story's earlier incarnation, however, and that may be problematic for fans who are looking for Gene Wilder's coy interpretation of the eccentric candy man. Johnny Depp makes his Willy Wonka less of a slyly charming eccentric and more of a true-to-life shut-in--with a healthy shot of cartoonish fun thrown into the mix. Depp's Willy Wonka isn't a quick-witted father figure with a good-natured plan to teach a lesson to naughty children; he's genuinely shocked and disgusted by the behavior of these greedy youngsters and their maligned parents. His fantastic characterization and charm overpower the absurd comparisons to Michael Jackson, not least because his Wonka doesn't even seem to particularly like kids. Freddie Highmore's performance as Charlie is a breath of fresh air in child-acting, as he remains the only good-hearted kid of the bunch without so much as approaching saccharine. And of course, some mention must be made of Tim Burton's genius take on the Oompa Loompa(s): how many times the awesome Deep Roy had to shoot each scene to create his many alter-egos, we may never know. All these well balanced parts fit together for a compelling story that balances the viewer's need both for dry, unforgiving humor and for childish wonder and hope. Charlie and the Chocolate Factory is not nearly as suitable for children as its predecessor--the scene in which Veruca Salt is pinned to the floor Gulliver's Travels-style by a group of angry squirrels would be terrifying to a small child. This isn't a strike against the film, however, as this isn't so much a children's movie that's enjoyable to adults, but rather an adult film that will be loved by children. Even actual fans of the book should be delighted as the movie, above all, achieves the bizarre, otherworldly quality of Roald Dahl's work, seducing even the most jaded and corrupt grown-ups to its message with laughter, fantasy and awe. ~ Cammila Albertson, All Movie Guide
4 - customer reviews
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Cast
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Production Credits
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Abi Brotherton
| - | Hair Styles, Makeup | |
Adrian Pinder
| - | CGI Effects | |
Alan Murphy
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Alex Joseph
| - | Foley Editor | |
Alex Kingsbury
| - | Boom Operator | |
Alex McDowell
| - | Production Designer | |
Alexander Stephan
| - | CGI Effects | |
Alice Biddle
| - | Draftsman | |
Alistair Hawkins
| - | Assistant Sound Editor | |
Andres Puente
| - | Animator | |
Andrew Cooke
| - | Unit Production Manager | |
Andrew Nicholson
| - | Art Director | |
Andrew Stevens
| - | Visual Effects Editor | |
Angie Wills
| - | Visual Effects Producer | |
Anne Cartwright
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Anthony Caron-Delion
| - | Assistant Art Director | |
Anthony Edwards
| - | Special Effects Technician | |
Ashley Yallop
| - | Special Effects Technician | |
Becky Johnson
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Benjamin J. Dixon
| - | Second Assistant Director | |
Berenice Percival
| - | Personal Assistant | |
Bill Abbott
| - | Music Editor | |
Bill LaBorde
| - | Production Supervisor | |
Birds & Animals UK
| - | Animal Trainer/Wrangler | |
Bonnie Lemon
| - | Visual Effects | |
Brad Grey
| - | Producer | |
Brenda Berrisford
| - | Personal Assistant | |
Brendan Body
| - | Animator | |
Brian Wells
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Bruce Berman
| - | Executive Producer | |
Bryn Lawrence
| - | Third Assistant Director | |
Carol Robinson
| - | Hair Styles, Makeup | |
Casey Dame
| - | Visual Effects | |
Catherine Duncan
| - | Visual Effects Producer | |
Cathy Burzack
| - | Hair Styles, Makeup | |
Cecily Fay Harris
| - | Stunts | |
Celia Barnett
| - | Research | |
Charlotte Child
| - | Set Dresser | |
Chas Jarrett
| - | Visual Effects Supervisor | |
Chloe Chesterton
| - | Third Assistant Director | |
Chris Lebenzon
| - | Editor | |
Christian Bourne
| - | Boom Operator | |
Christian Roberton
| - | Visual Effects Producer | |
Cinesite Limited
| - | Visual Effects | |
Claire Pegorier
| - | CGI Effects | |
Colin Laski
| - | CGI Effects | |
Colin Shulver
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Craig Bardsley
| - | Animator | |
Craig Penn
| - | Animator | |
Dan Burnett
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Daniel Burke
| - | Art Department Assistant | |
Daniela Vecchi
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Danny Elfman
| - | Composer (Music Score), Singer, Music Producer | |
Darren M. Poe
| - | Visual Effects | |
David Allday
| - | Art Director | |
David Cronnelly
| - | Stunts | |
David Darby
| - | Animatronic Effects, Prosthetic Makeup Effects | |
David Early
| - | Matte Artist | |
David Malinowski
| - | Animatronic Effects, Prosthetic Makeup Effects | |
David O'Reilly
| - | Location Manager | |
David Watson, Jr.
| - | Special Effects Technician | |
Deborah Maxwell Dion
| - | Casting Associate | |
Deborah Taylor
| - | Makeup Supervisor | |
Derek Frey
| - | Associate Producer | |
Des Whelan
| - | Camera Operator | |
Digital Domain
| - | Visual Effects | |
Digna Nigoumi
| - | Motion Control Camera | |
Eddy Joseph
| - | Supervising Sound Editor | |
Eduardo Schmidek
| - | CGI Effects | |
Emma Gaffney
| - | First Assistant Avid Editor | |
Emma Lovell
| - | Art Department Assistant | |
Emma Stokes
| - | Third Assistant Director | |
Eunice Huthart
| - | Stunts | |
Federico Cascinelli
| - | Animator | |
Felicity Dahl
| - | Executive Producer | |
Fin Teo
| - | Visual Effects | |
Flora Brancatella
| - | Assistant Costumer Designer | |
Florian Liertz
| - | Unit Production Manager | |
Framestore
| - | Visual Effects | |
Francesca Jaynes
| - | Choreography | |
François Audouy
| - | Art Director | |
Gabriella Pescucci
| - | Costume Designer | |
Gareth Tandy
| - | First Assistant Director | |
Gavin Fitch
| - | Draftsman | |
Gemma De Vecchi
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Graham Burke
| - | Executive Producer | |
Gustav Hoegen
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Harriet Johnson
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Helen Christie
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Helen Xenopoulos
| - | Draftsman | |
Hermione Ninnim
| - | Production Coordinator | |
Ian D. Struthers
| - | First Assistant Camera | |
Ian Kay
| - | Stunts | |
Ian Menzies
| - | Motion Control Camera | |
Ivan Manzella
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Ivana Primorac
| - | Key Hairstylist, Key Make-up | |
Jacqueline Rietz
| - | Casting Associate | |
Jakob Schmidt
| - | CGI Effects | |
James Lewis
| - | Art Director | |
James Manning
| - | Third Assistant Director | |
Jane Harwood
| - | Draftsman | |
Jeanie Udall
| - | Set Medic/First Aid | |
Jessie Thiele
| - | Post Production Supervisor | |
Jim Dowdall
| - | Stunts Coordinator | |
Joanne Lee
| - | Second Assistant Camera | |
John "Biggles" Higgins
| - | Gaffer | |
John August
| - | Screenwriter | |
John Conroy
| - | First Assistant Camera | |
John Findley
| - | Location Manager | |
John Flemming
| - | Key Grip | |
John Gamble
| - | First Assistant Camera | |
John Greaves
| - | Storyboard Artist | |
John McGoldrick
| - | Special Effects Technician | |
John Munro
| - | Hair Styles, Makeup | |
John Palmer
| - | Camera Operator | |
John Warhurst
| - | Sound Effects Editor | |
Jon Thum
| - | Visual Effects Supervisor | |
Jonathan Scott
| - | Assistant Production Coordinator | |
Jonathan Taylor
| - | Second Unit Director Of Photography | |
Jonny Benson
| - | Third Assistant Director | |
Joseph Bond IV
| - | First Assistant Editor | |
Joss Williams
| - | Special Effects Supervisor | |
Julie Burnham
| - | Set Medic/First Aid | |
Julie Dartnell
| - | Hair Styles, Makeup | |
Julie Saegert
| - | Assistant Editor | |
Julie Thom
| - | Hair Styles, Makeup | |
Junko Matsuura
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Karen Cohen
| - | Hair Styles, Makeup | |
Karl Morgan
| - | Motion Control Camera | |
Kate Smith
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Kathy Heaser
| - | Assistant Art Director | |
Katie Newitt
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Katie Reynolds
| - | Post Production Coordinator | |
Katterli A. Frauenfelder
| - | Co-producer, First Assistant Director | |
Keith Dawson
| - | Special Effects Technician | |
Kenny Atherfold
| - | Key Grip | |
Kenny Wilson
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Kevin Harris
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Kevin O'Conner
| - | CGI Effects | |
Kevin Shepherd
| - | CGI Effects | |
Kevin Turner
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Keziah Barton-White
| - | Script Supervisor | |
Laura Parazaider
| - | Producer's Assistant | |
Lavinia Glynn-Jones
| - | ADR Voice Casting | |
Lebo "Boo" Motjuoadi
| - | Assistant Production Coordinator | |
Leonard Woodcock
| - | Stunts | |
Les Tomkins
| - | Supervising Art Director | |
Liam Williams
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Lindsay Pugh
| - | Costumes Supervisor | |
Lino Khay
| - | Matte Artist | |
Lisa Thompson
| - | Assistant Editor | |
Lizzie Kelly
| - | Video Assist | |
Louise Wade
| - | Script Supervisor | |
Lucy Killick
| - | Visual Effects Producer | |
Lucy Tudhope
| - | Casting Assistant | |
Mad Dog Casting
| - | Extra Casting | |
Maria Cork
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Mark O. Forker
| - | Visual Effects | |
Mark Sanger
| - | Visual Effects Editor | |
Martin Cantwell
| - | Sound Effects Editor | |
Marty Cherrix
| - | Additional Casting | |
Massimo Cantini Parrini
| - | Assistant Costumer Designer | |
Mathieu Vig
| - | Animator | |
Matt Gray
| - | Art Director | |
Matthew D'Angibau
| - | Motion Control Camera | |
Matthew Murray
| - | Special Effects Technician | |
Matthias Wittmann
| - | Visual Effects | |
Maurizio Parimbelli
| - | Animator | |
Max Brown
| - | Special Effects Technician | |
Michael Alexander
| - | Head Animal Trainer | |
Michael Eames
| - | Supervising Animator | |
Michael Higham
| - | Music Editor | |
Michael Semanick
| - | Re-Recording Mixer | |
Michael Siegel
| - | Executive Producer | |
Michelle Hosier
| - | Art Department Assistant | |
Mike Cussack
| - | Animator | |
Miranda Marks
| - | Assistant Production Coordinator | |
Monika Gray
| - | Research | |
Moving Picture Company
| - | Visual Effects, Motion Control Camera | |
Natasha Bailey
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Nathalie Tissier
| - | Hair Styles, Makeup | |
Nathan Duncan
| - | Assistant Sound Editor | |
Neal Callow
| - | Draftsman | |
Neal Norton
| - | Cinematographer | |
Neal Scanlan Studio
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Neil Todd
| - | Special Effects Technician | |
Nick Daubeny
| - | Location Manager | |
Nick Davis
| - | Visual Effects Supervisor | |
Nikki Clapp
| - | Script Supervisor | |
Nikki Penny
| - | Visual Effects Producer | |
Nikolas Korda
| - | Unit Production Manager | |
Patrick McCormick
| - | Executive Producer, Unit Production Manager | |
Patrick Read Johnson
| - | Special Effects Technician | |
Paul Alexiou
| - | Assistant Visual Effects Editor | |
Paul Dimmer
| - | Special Effects Technician | |
Paul Flanagan
| - | CGI Effects | |
Paul George Palop
| - | Visual Effects | |
Paul Wheeldon
| - | Second Assistant Camera | |
Peter Baldwin
| - | CGI Effects | |
Peter Mountain
| - | Still Photographer | |
Peter Owen
| - | Hair Styles, Makeup | |
Peter Young
| - | Set Decorator | |
Phil Hounam
| - | Location Manager | |
Phil Woodfine
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Philip Babbage
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Philip Murphy
| - | Dolly Grip | |
Philippe Rousselot
| - | Cinematographer | |
Piotr Karwas
| - | Visual Effects | |
Poster Pictures
| - | Consultant/advisor | |
Rachel Ward
| - | Animator | |
Raymond Moody
| - | Motion Control Camera | |
René Adefarasin
| - | Second Assistant Camera | |
Richard D. Zanuck
| - | Producer | |
Richard Gomes
| - | CGI Effects | |
Rick Wentworth
| - | Conductor | |
Ricky English
| - | Stunts | |
Roald Dahl
| - | Featured Music, Book Author | |
Robin Ellis
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Ronan Murphy
| - | Dolly Grip | |
Rosie Ashforth
| - | Animator | |
Sam Nicholson
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Samantha Southwick
| - | Assistant Music Editor | |
Samar Pollitt
| - | Third Assistant Director | |
Sarah Clark
| - | Publicist | |
Scott Edelstein
| - | Visual Effects | |
Sean Connor
| - | Focus Puller | |
Sean Haworth
| - | Art Director | |
Serge Sretschinsky
| - | Visual Effects | |
Shie Rozow
| - | Music Editor | |
Simon Parker
| - | Special Effects Technician | |
Simon Stanley-Clamp
| - | Visual Effects Supervisor | |
Siobhan Coughlan
| - | Stunts | |
Steen Young
| - | Stunts | |
Steve Boeddeker
| - | Sound/Sound Designer | |
Steve Brookesmith
| - | Motion Control Camera | |
Steve Costello
| - | Gaffer | |
Stuart Nelhams
| - | Assistant Visual Effects Editor | |
Sue Rowe
| - | Visual Effects Supervisor | |
Sunita Parmar
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Susie Farris
| - | Additional Casting | |
Susie Figgis
| - | Casting | |
Terry Jones
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Terry Wells
| - | Assistant Properties | |
Terry Wells, Sr.
| - | Properties Master | |
Thomas Johnson
| - | Re-Recording Mixer | |
Tim Burton
| - | Director | |
Tim Wooster
| - | Camera Operator | |
Tina Maskell
| - | Stunts | |
Tobin Pettit
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Toby Hefferman
| - | Second Assistant Director | |
Toby Hosking
| - | Second Assistant Director | |
Todd Isroelit
| - | Visual Effects | |
Tom Blake
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Tom Kluyskens
| - | CGI Effects | |
Tom Whitehead
| - | Draftsman | |
Tony Currie
| - | Dialogue Editor | |
Tony Dawe
| - | Production Sound Mixer | |
Vanessa Bastyan
| - | Animatronic Effects, Prosthetic Makeup Effects | |
Victor Hammond
| - | Key Grip | |
Victoria Williams
| - | Special Effects Technician | |
Vince McGahon
| - | Camera Operator, Steadicam Operator | |
Vincent Abbott
| - | Animatronic Effects, Prosthetic Makeup Effects | |
William Booker
| - | First Assistant Director | |
Yann Doray
| - | Visual Effects |
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Format: HD-DVD
Release Date: 10/10/2006
UPC: 012569809260
Item ID: 755460
Studio: WARNER HOME VIDEO
ProductID: WHV80926HD
Region: 1 Video: Enhanced Widescreen Letterbox for 16x9 TV DVD Aspect Ratio: Theatre Wide-Screen (1.85:1) Language: English Subtitles: English, French, Spanish Weight factor: 1 item(s)
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Features
In-Move Experience: Tim Burton takes you through the mouth-watering creative process that brought this elaborate production to the screen - all as you watch the movie
Commentary by Tim Burton
Charlie and the Chocolate Factory: Chocolate Dreams
Different Faces, Different Flavors
Designer Chocolate
Under the Wrapper
Charlie and the Chocolate Factory: Sweet Sounds
Becoming Oompa-Loompa: how they turned one man into hundreds of Oompa-Loompas
Attack of the Squirrels: a look at the trained nut-sorting squirrels
Fantastic Mr. Dahl: a look into the life of Roald Dahl
2 previsualizations: Augustus Gloop Dance and Mike Teavee dance
Dolby True HD music-only track showcasing Danny Elfman's score and songs
European club reel
Theatrical trailer
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