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Region: 1 Video: Enhanced Widescreen Letterbox for 16x9 TV Audio: Dolby Digital w/ sub-woofer channel Language: English, French Subtitles: English, French, Spanish Weight factor: 1 item(s)
Plot Synopsis
Based on the graphic novel by Alan Moore, V for Vendetta takes place in an alternate vision of Britain in which a corrupt and abusive totalitarian government has risen to complete power. During a threatening run in with the secret police, an unassuming young woman named Evey (Natalie Portman) is rescued by a vigilante named V (Hugo Weaving) -- a caped figure both articulate and skilled in combat. V embodies the principles of rebellion from an authoritarian state, donning a mask of vilified would-be terrorist of British history Guy Fawkes and leading a revolution sparked by assassination and destruction. Evey becomes his unlikely ally, newly aware of the cruelty of her own society and her role in it. ~ Cammila Albertson, All Movie Guide
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Editorial Reviews:
V for Vendetta could have easily been a cliché dystopian fantasy set against a stock totalitarian backdrop. It could have also been a heavy-handed warning about the power of fear in the post-9/11 world or, still worse, a wordy treatise on the philosophy of government. In actuality, V for Vendetta manages an almost impossible compromise between these options. Those banking on the Wachowski brothers' trademark balletic action sequences and epic explosions will not be disappointed, while those worried about the brothers' tendency to get lost in their own exposition (a la the Matrix sequels) can have no fear. This movie is fun, enthralling, and thought provoking. Hugo Weaving's meticulous voice acting and deft gesticulations rival the movements of trained dancers as he brings V to life, while Natalie Portman provides a full range of emotion and believable development as we watch her transform from frightened speck within the masses to fully liberated citizen of her own mind. The two find a strong dynamic on which to build their both tangible and symbolic onscreen relationship, and this is the same dynamic that provides the story itself with such a strong backbone. V himself acknowledges that he is a man acting as a symbol, summarized best with V's own exclamation, "Beneath this mask there is more than flesh. There is an idea, Mr. Creedy, and ideas are bulletproof." As a result, the symbolic quality of the story itself is not at all difficult for the audience to understand. By the end of the film, legions of masked and caped citizens descending on the houses of Parliament in improbably perfect formation come off not as unrealistic, but as a beautifully stylized illustration. V for Vendetta succeeds where the Matrix sequels failed because despite its disinclination to answer all of the questions it poses, it holds tight to a focused, cohesive theme. This can be attributed to first-time director James McTeigue's ability to place a coherent story at the heart of his philosophizing. There is no simple answer to what role vengeance should play in a revolution, but V for Vendetta leaves to the audience not only the question but the option of whether or not they want to answer it. ~ Cammila Albertson, All Movie Guide
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V for Vendetta could have easily been a cliché dystopian fantasy set against a stock totalitarian backdrop. It could have also been a heavy-handed warning about the power of fear in the post-9/11 world or, still worse, a wordy treatise on the philosophy of government. In actuality, V for Vendetta manages an almost impossible compromise between these options. Those banking on the Wachowski brothers' trademark balletic action sequences and epic explosions will not be disappointed, while those worried about the brothers' tendency to get lost in their own exposition (a la the Matrix sequels) can have no fear. This movie is fun, enthralling, and thought provoking. Hugo Weaving's meticulous voice acting and deft gesticulations rival the movements of trained dancers as he brings V to life, while Natalie Portman provides a full range of emotion and believable development as we watch her transform from frightened speck within the masses to fully liberated citizen of her own mind. The two find a strong dynamic on which to build their both tangible and symbolic onscreen relationship, and this is the same dynamic that provides the story itself with such a strong backbone. V himself acknowledges that he is a man acting as a symbol, summarized best with V's own exclamation, "Beneath this mask there is more than flesh. There is an idea, Mr. Creedy, and ideas are bulletproof." As a result, the symbolic quality of the story itself is not at all difficult for the audience to understand. By the end of the film, legions of masked and caped citizens descending on the houses of Parliament in improbably perfect formation come off not as unrealistic, but as a beautifully stylized illustration. V for Vendetta succeeds where the Matrix sequels failed because despite its disinclination to answer all of the questions it poses, it holds tight to a focused, cohesive theme. This can be attributed to first-time director James McTeigue's ability to place a coherent story at the heart of his philosophizing. There is no simple answer to what role vengeance should play in a revolution, but V for Vendetta leaves to the audience not only the question but the option of whether or not they want to answer it. ~ Cammila Albertson, All Movie Guide
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Chapters
Disc #1 -- V for Vendetta
1. Remember, Remember. [2:23]
2. Man in a Mask. [6:43]
3. Rooftop Concert. [1:52]
4. Lead on the Girl. [5:26]
5. VTV. [5:29]
6. Response Time. [3:04]
7. Captive for a Year. [5:08]
8. Symbolic Acts. [5:27]
9. Prothero's Past. [4:59]
10. Afraid All the Time. [2:36]
11. No Mercy for the Bishop. [4:48]
12. Creedy's Threat. [1:38]
13. Mystery Woman. [4:28]
14. Bedside Manners. [2:29]
15. Man From Room V. [3:51]
16. What If? [4:15]
17. Gotcha. [3:28]
18. Process Her. [1:25]
19. Valerie's Autobiography. [2:26]
20. Ready to Die. [6:43]
21. God is in the Rain. [2:21]
22. Valerie's Legacy. [4:48]
23. Can You Believe This? [3:19]
24. Pathogen Path to Power. [2:47]
25. A Man as Smart. [4:12]
26. Perfect Pattern. [3:07]
27. Revolution Eve Dance. [4:48]
28. End of the Tunnel. [4:32]
29. Swift Justice. [3:13]
30. V's Turn. [1:53]
31. Gift of Love. [3:53]
32. All of Us. [1:43]
33. End Credits. [5:03]
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DVD Menu
Disc #1 -- V for Vendetta
Play
Scene Selections
Features
Freedom! Forever! Making V for Vendetta
Languages
Spoken Languages: English 5.1
Spoken Languages: Français 5.1 (Doublé au Québec)
Subtitles: English
Subtitles: Français
Subtitles: Español
Subtitles: Off
Web Info
Disc #2 -- V for Vendetta
Designing the Near Future
Remember Remember: Guy Fawkes and the Gunpowder Plot
England Prevails: V for Vendetta and the New Wave in Comics
Cat Power Montage
Soundtrack Album Info
Theatrical Trailer
Languages
Spoken Languages: English
Subtitles: Français
Subtitles: Off
Web Info
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4 - customer reviews
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Cast
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Production Credits
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Aaron Auch
| - | Personal Assistant | |
Adam Cocker
| - | Post Production Assistant | |
Adam Daniel
| - | Assistant Sound Editor | |
Adam Kirley
| - | Stunts | |
Adam Schardein
| - | Personal Assistant | |
Adrian Biddle
| - | Cinematographer | |
Adrian Spanna
| - | Video Playback | |
Aimee Dadswell-Davies
| - | Visual Effects Producer | |
Albrecht Silberberger
| - | Gaffer | |
Alex Kirby
| - | First Assistant Director | |
Alex Müller-Lenhartz
| - | Driver | |
Alex Rutherford
| - | Model Effects | |
Alexander Hardt
| - | Stunts | |
Alexandra Nazahn
| - | Stunts | |
Alison Carter
| - | First Assistant Editor | |
Altay Ünsal
| - | Driver | |
Amie Stephenson
| - | Casting Assistant | |
Andi Derrick
| - | Foley Artist | |
Andre Brizard
| - | Visual Effects | |
Andreas Schulz
| - | Stunts | |
Andreas Schumacher
| - | Driver | |
Andreas Tietz
| - | Stunts | |
Andrew Wilkinson
| - | Special Effects Editor | |
Andy Smart
| - | Stunts | |
Andy Wachowski
| - | Producer, Screenwriter | |
Anja Wedell
| - | Production Coordinator | |
Annette Borgmann
| - | Casting | |
Antje Rau
| - | Stunts Coordinator | |
Armin Sauer
| - | Stunts | |
Arri Media
| - | Lighting, Grip | |
Astrid Poeschke
| - | Draftsman | |
Astrid Sachsenheimer
| - | Assistant Properties | |
Axel Eichhorst
| - | Storyboard Artist | |
Axel Hübner
| - | Driver | |
Axel Kahnt
| - | Properties Master | |
Axel Scholz
| - | Electrician | |
Babette Schimanek
| - | Stunts | |
Barbara Berkery
| - | Dialect Coach | |
Base Black Ltd.
| - | Visual Effects | |
Beatrix Niemeyer
| - | Second Assistant Editor | |
Ben Artmann
| - | Driver | |
Ben Barker
| - | Foley Editor | |
Benjamin Dunker
| - | Cable Person | |
Benjamin Palmer
| - | Model Effects | |
Benjamin Waisbren
| - | Executive Producer | |
Benjamin Wallfisch
| - | Conductor | |
Benjamin Weidner
| - | Driver | |
Bernd Köppe
| - | Driver | |
Bernhard Schirmer
| - | Stunts | |
Bert Rüdiger Fix
| - | Driver | |
Betty Hellwig
| - | Set Medic/First Aid | |
Birgit Dierken
| - | First Assistant Camera | |
Bob Farrell
| - | Model Effects | |
Bradley Miles
| - | Additional Music | |
Brain Halle
| - | Driver | |
Brenda Coxon
| - | Model Effects | |
Brian "Joker" Mulvey
| - | Grip | |
Bronwyn Preston
| - | Unit Publicist | |
Carl L. Woebcken
| - | Co-producer, Executive Producer | |
Charity Hobbs Wood
| - | Model Effects | |
Charlotte Kay
| - | Assistant Costumer Designer | |
Christian Peterson
| - | Stunts | |
Christian Rybka
| - | Electrician | |
Christian Schaefer
| - | Assistant Art Director | |
Christian Scheibe
| - | Grip | |
Christian Schoop
| - | Driver | |
Christoph Brosius
| - | Third Assistant Director | |
Christoph Drobig
| - | Driver | |
Cineimage
| - | Title Design | |
Cinesite Limited
| - | Visual Effects | |
Clive Mackey
| - | First Assistant Camera | |
Conway Wycliffe
| - | Model Effects | |
Cornelia Ott
| - | Assistant Art Director | |
Cyrille Hertel
| - | Stunts | |
Damian Anderson
| - | Production Coordinator | |
Dan Glass
| - | Visual Effects Supervisor | |
Daniel Alvermann
| - | Grip | |
Daniel Bohn
| - | Stunts | |
Daniel Huhn
| - | Driver | |
Danny Webster
| - | Model Effects | |
Dario Marianelli
| - | Composer (Music Score) | |
David Appleby
| - | Still Photographer | |
David Cronnelly
| - | Stunts | |
David Lietch
| - | Stunts | |
David Mackie
| - | Second Assistant Camera | |
David Rosenbaum
| - | Transportation Coordinator | |
David Stephenson
| - | Production Sound Mixer | |
David Worley
| - | Camera Operator | |
Denis Kuper
| - | Driver | |
Derek Burgess
| - | Visual Effects Editor | |
Dieter Bähr
| - | Key Grip | |
Dietke Brandt
| - | Costume Designer | |
Dietmar Haupt
| - | Gaffer | |
Double Negative Ltd.
| - | Visual Effects | |
Doug Bishop
| - | Model Effects | |
Eduart Geber
| - | Stunts | |
Eileen Yip
| - | Set Production Assistant | |
Emma Horton
| - | Second Assistant Director | |
Erich Kraus
| - | Production Assistant | |
Eunice Huthart
| - | Stunts | |
Felix Weddige
| - | Electrician | |
Florian Dieckmann
| - | Driver | |
Florian Haeger
| - | Driver | |
Framestore
| - | Visual Effects | |
Fran Westom
| - | Model Effects | |
Frank Gust
| - | Driver | |
Frank Mathwig
| - | Driver | |
Fred Place
| - | Visual Effects | |
Gary Dodkin
| - | Boom Operator | |
Gavin McKenzie
| - | Video Playback | |
Geoff Newton
| - | Model Effects | |
Gerold Bublak
| - | Model Effects | |
Gillian Dodders
| - | Dialogue Editor | |
Glenn Freemantle
| - | Supervising Sound Editor | |
Glenn König
| - | Best Boy Grip | |
Götz Schmidtzur Nedden
| - | Electrician | |
Grant Hill
| - | Producer, Unit Production Manager | |
Grit Menzzer
| - | Personal Assistant | |
Hartmuth Gerlach
| - | Electrician | |
Harvey Harrison
| - | Second Unit Director, Second Unit Director Of Photography | |
Heidrun Schlossmacher
| - | Personal Assistant | |
Heiko Jorke
| - | Key Grip | |
Heiko Kiesow
| - | Stunts | |
Helko Klunder
| - | Grip | |
Henning Brehm
| - | Graphic Design | |
Henning Molfenter
| - | Co-producer | |
Henri Grund
| - | Driver | |
Holger Lehnau
| - | Electrician | |
Hugo Adams
| - | Foley Editor | |
Ian Menzies
| - | Model Effects | |
Ilko Petkow
| - | Grip | |
Inga Meissner
| - | Transportation Captain | |
Iris Muller
| - | Extra Casting | |
Isabell Logen
| - | Costume Designer | |
Jacob Van Dohnanyi
| - | Model Effects | |
Jake Edmonds
| - | Set Medic/First Aid | |
James Hunt
| - | Scenic Artist | |
James McKeown
| - | Model Effects | |
James McTeigue
| - | Director | |
James O'Dee
| - | Stunts | |
Jan Böhme
| - | Stunts | |
Jan Brun
| - | Grip | |
Jan Prudhöl
| - | Driver | |
Jason Costelloe
| - | Assistant Editor | |
Jason Oettle
| - | Stunts | |
Jean Bourne
| - | Script Supervisor | |
Jeanie Udall
| - | Set Medic/First Aid | |
Jennifer Bowes
| - | Model Effects | |
Jens Mackeldey
| - | Electrician | |
Jens Neuhaus
| - | Driver | |
Jeremy Woodhead
| - | Key Hairstylist | |
Jessica Alan
| - | Associate Producer | |
Jim Magill
| - | Driver | |
Jimmy Adams
| - | Driver | |
Jimmy Carruthers
| - | Driver | |
Joanie Ahuna
| - | Production Accountant | |
Joel Silver
| - | Producer | |
Joerg Widmer
| - | Camera Operator, Steadicam Operator | |
John "J. B." Bowman
| - | Video Assist | |
John Hayward
| - | Re-Recording Mixer | |
John Lee
| - | Model Effects | |
John Murphy
| - | Model Effects | |
John Payne
| - | Model Effects | |
John Rogers
| - | Model Effects | |
Jörg Brehm
| - | Driver | |
Judy Barr
| - | Visual Effects | |
Julie Burnham
| - | Set Medic/First Aid | |
Jürgen Ruge
| - | Electrician | |
Karen Bicknell
| - | First Assistant Accountant | |
Karl Morgan
| - | Model Effects | |
Karsten Schmidt
| - | Stunts | |
Katharina Gapski
| - | Assistant Production Coordinator | |
Kathrin Krückeberg
| - | Production Assistant | |
Katja Fischer
| - | Art Department Assistant | |
Katja Richter
| - | Stunts | |
Katrin Schaake
| - | Stunts | |
Ken Dailey
| - | Visual Effects Producer | |
Kevin Phipps
| - | Supervising Art Director | |
Kevin Tayler
| - | Foley Mixer | |
Kim Gordon
| - | Visual Effects | |
Kim Whittaker
| - | Second Second Assistant Director | |
Kita Harrison
| - | Model Effects | |
Klaus Mielich
| - | Special Effects Technician | |
Kristov Brandli
| - | Production Accountant | |
Larry Wachowski
| - | Producer, Screenwriter | |
Lee Herrick
| - | ADR Editor | |
Lee Thomas
| - | Second Assistant Editor | |
Louis Elman
| - | ADR Voice Casting | |
Lucinda Syson
| - | Casting | |
Marcel De Lamonte
| - | Driver | |
Marco Bittner Rosser
| - | Assistant Art Director | |
Marco Teuchert
| - | Electrician | |
Marcus Loges
| - | Production Manager | |
Maren Hollje
| - | Art Department Assistant | |
Mark Appleby
| - | ADR Recordist | |
Mark Cullis
| - | Assistant Editor | |
Mark Gudgin
| - | Cable Person | |
Mark Harrison
| - | Model Effects | |
Mark Southworth
| - | Stunts | |
Markus Bensch
| - | Location Manager | |
Markus Papiernek
| - | Stunts | |
Martin Göres
| - | Stunts | |
Martin Walsh
| - | Editor | |
Mathis Landwehr
| - | Stunts | |
Matt Gunther
| - | Stunts | |
Matt Johnson
| - | Visual Effects Supervisor | |
Matthew D'Angibau
| - | Model Effects | |
Matthew Stirling
| - | Stunts | |
Matthias Dippe
| - | Electrician | |
Matthias Edinger
| - | Electrician | |
Matthias Prange
| - | Standby Carpenter | |
Matthias Schendel
| - | Stunts | |
Micaela Haslam
| - | Singer | |
Michael Bell
| - | Visual Effects | |
Michael Bornhütter
| - | Stunts | |
Michael Feuerer
| - | Driver | |
Michael Gast
| - | Stunts | |
Miguel Granell
| - | Model Effects | |
Mike Luft
| - | Stunts | |
Mirjam Weber
| - | Personal Assistant | |
Monika Klatte
| - | Set Medic/First Aid | |
Nathan Middleton
| - | Model Effects | |
Neil Chaplin
| - | Production Accountant | |
Nick Bonathan
| - | Model Effects | |
Nick Davis
| - | Model Effects | |
Nicky Jarvis
| - | Set Medic/First Aid | |
Nicolas De Pruyssenaere
| - | Stunts | |
Nicole Dierken
| - | Second Assistant Camera | |
Nigel Permane
| - | Model Effects | |
Nigel Stone
| - | Model Effects | |
Nigel Trevessey
| - | Model Effects | |
Nik Cooper
| - | Model Effects | |
Nina Hüskes
| - | Assistant Location Manager | |
Niv Adiri
| - | Special Effects Editor | |
Oliver Fritsche
| - | Stunts | |
Oliver Nitz
| - | Driver | |
Oliver Wiesner
| - | Stunts | |
Owen Paterson
| - | Production Designer | |
Paolo Maggio
| - | Driver | |
Paul Carr
| - | ADR Mixer | |
Paul Clancy
| - | Model Effects | |
Paul Clarvis
| - | Musical Performer | |
Paul Engelen
| - | Key Make-up | |
Paul Melzow
| - | Production Assistant | |
Peter Burgis
| - | Foley Artist | |
Peter Clarke
| - | Music Editor | |
Peter Kosel
| - | Electrician | |
Peter Kramer
| - | Electrician | |
Peter Naguib
| - | Standby Properties | |
Peter Rabe
| - | Electrician | |
Peter Walpole
| - | Set Decorator | |
Peti Misaila
| - | Driver | |
Petra Schaumann
| - | Hair Styles, Makeup | |
Petra Wellenstein
| - | Costumes Supervisor | |
Phillipp Kirsamer
| - | Second Unit Camera | |
Professional Negative Cutting Limited
| - | Negative Cutter | |
Rafael Jeneral
| - | Clapper Loader | |
Rainer Werner
| - | Stunts | |
Ralph Tillman
| - | Stunts | |
Raymond Moody
| - | Model Effects | |
Reelsound
| - | Sound/Sound Designer | |
Renate Färber
| - | Personal Assistant | |
René Göttel
| - | Driver | |
Rene Keil
| - | Driver | |
Rene Schobess
| - | Stunts | |
Rhys Owen
| - | Video Playback | |
Richard Pryke
| - | Re-Recording Mixer | |
Rob Inch
| - | Stunts | |
Robert Farr
| - | ADR Mixer | |
Robert James Napier
| - | Driver | |
Roberto Malerba
| - | Co-producer, Unit Production Manager | |
Rocky Taylor
| - | Stunts | |
Roland Patzelt
| - | Best Boy Electric | |
Roland Schütz
| - | Driver | |
Rowan Laidlaw
| - | Personal Assistant | |
Roxy Konrad
| - | Art Department Coordinator | |
Sammy Sheldon
| - | Costume Designer | |
Sarah Horton
| - | Art Director | |
Sascha Girndt
| - | Stunts | |
Sean Hedges-Quinn
| - | Model Effects | |
Sebastian Krawinkel
| - | Art Director | |
Sebastian Neitsch
| - | Transportation Coordinator | |
Siegfried Gordes
| - | Stunts | |
Silke Werner
| - | Driver | |
Sim Bajaj
| - | Personal Assistant | |
Simon Daniel
| - | Driver | |
Simon Weisse
| - | Model Effects | |
Star's Diner Express
| - | Craft Service/Catering | |
Stefan Förster
| - | Electrician | |
Stefan Langel
| - | Stunts | |
Steffen Haronitis
| - | Driver | |
Stephan O. Gessler
| - | Assistant Art Director | |
Stephanie Schneider
| - | Electrician | |
Steve Adamson
| - | Model Effects | |
Steve Bream
| - | Art Director | |
Steve Hutchinson
| - | Model Effects | |
Steven Michael Casey
| - | Electrician | |
Steven Thiede
| - | Stunts | |
Stuart Clark
| - | Stunts | |
Susanne Toth
| - | Driver | |
Swen Raschka
| - | Stunts | |
Sylvio Lienert
| - | Special Effects Assistant | |
Synergy Vocals
| - | Musical Performer | |
Talila Craig
| - | Stunts | |
Terry Needham
| - | First Assistant Director | |
Thierry Saelens
| - | Stunts | |
Thomas Rucks
| - | Set Medic/First Aid | |
Thomas Siegert
| - | Driver | |
Thorsten Gliewe
| - | Stunts | |
Thorsten Papst
| - | Stunts | |
Thrain Shadbolt
| - | Visual Effects Supervisor | |
Timo Honsa
| - | Stunts | |
Tina Steffan
| - | Driver | |
Tobias Asam
| - | Third Assistant Director | |
Toby Glover
| - | Title Design | |
Todd Goodrich
| - | Production Assistant | |
Tom Kirsten
| - | Driver | |
Tom Rolfe
| - | Visual Effects | |
Tom Sayers
| - | Sound/Sound Designer | |
Tomas Jester
| - | Stunts | |
Tony Hayes
| - | Electrician | |
Udo Harnach
| - | Stunts | |
Udo Kramer
| - | Draftsman | |
Udo Lüttich
| - | Stunts | |
Uli Nefzer
| - | Special Effects Supervisor | |
Ulla Schnieders
| - | Production Secretary | |
Ute Bergk
| - | Assistant Set Decorator | |
Uwe Gösche
| - | Stunts | |
Uwe Zegnotat
| - | Driver | |
Valeska Schitthelm
| - | Second Unit Makeup | |
Vanessa Carmichael
| - | Personal Assistant | |
Vladimir Vilanow
| - | Stunts | |
Volker Vahl
| - | Electrician | |
Wanja Götz
| - | Stunts | |
Wolfgang Hoffmann
| - | Driver | |
Wolfgang Lindner
| - | Stunts | |
Wolfgang Stegemann
| - | Stunts | |
Wolfgang Stübner
| - | Driver | |
Yvonne Dietzel
| - | Stunts | |
Zewdenesch Zewdie
| - | Assistant Production Coordinator |
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Format: DVD
Release Date: 8/1/2006
UPC: 012569823792
Item ID: 733250
Studio: WARNER HOME VIDEO
ProductID: WHV82379DVD
Region: 1 Video: Enhanced Widescreen Letterbox for 16x9 TV Audio: Dolby Digital w/ sub-woofer channel Language: English, French Subtitles: English, French, Spanish Weight factor: 1 item(s)
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Features
cc
Designing the near future
Remember, Remember: Guy Fawkes and the Gunpowder Plot
England prevails: V for Vendetta and the new wave in comics
Cat Power montage
Theatrical trailer
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