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Region: A Audio: Dolby Digital w/ sub-woofer channel Language: English, French Subtitles: English, French, ko, Portuguese, Spanish, th Weight factor: 1 item(s)
Plot Synopsis
Re-teaming Adam Sandler with Drew Barrymore, his co-star from The Wedding Singer, as well as Peter Segal, his director on Anger Management, Fifty First Dates finds the funnyman playing veterinarian Henry Roth. More than content with a life of one-night-stands, Henry decides to give up his noncommittal lifestyle when he meets and falls for Lucy (Barrymore). However, when he discovers that Lucy has no short term memory, Henry finds himself having to win her heart again with every new day. Sean Astin and Rob Schneider also star. ~ Matthew Tobey, All Movie Guide
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Editorial Reviews:
50 First Dates pulls off a neat little trick. The opening 20 minutes are filled with familiar Adam Sandler movie bits (walrus puke, sexually ambiguous co-worker, a horny and ethnic Rob Schneider) that even he seems tired of but knows need to be there for his core audience. In a pleasant surprise, the movie manages to disengage from its autopilot setting once the film's high concept kicks in. The Memento-meets-Groundhog Day conceit is actually thought out by first-time screenwriter George Wing. The film actually takes the time to figure out how Drew Barrymore's inability to make new memories affects those who love her most, and manages to find complications and solutions that are logical and thematically resonant. Director Peter Segal and Sandler, recognizing that they have been given a charming love story, are confident enough to back away from the more pedestrian moments of outlandishness that open the film. Sandler and Barrymore made a winning duo in The Wedding Singer. That film marked the first time Sandler tried to take his film persona in a new direction -- something he attempted more boldly in Paul Thomas Anderson's underappreciated Punch-Drunk Love. Sandler obviously learned from his experience on Punch-Drunk Love how his infantile screen persona can be allowed to grow up. With 50 First Dates, he has taken the lessons from that film, and packaged them in a way that his audience can accept. ~ Perry Seibert, All Movie Guide
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50 First Dates pulls off a neat little trick. The opening 20 minutes are filled with familiar Adam Sandler movie bits (walrus puke, sexually ambiguous co-worker, a horny and ethnic Rob Schneider) that even he seems tired of but knows need to be there for his core audience. In a pleasant surprise, the movie manages to disengage from its autopilot setting once the film's high concept kicks in. The Memento-meets-Groundhog Day conceit is actually thought out by first-time screenwriter George Wing. The film actually takes the time to figure out how Drew Barrymore's inability to make new memories affects those who love her most, and manages to find complications and solutions that are logical and thematically resonant. Director Peter Segal and Sandler, recognizing that they have been given a charming love story, are confident enough to back away from the more pedestrian moments of outlandishness that open the film. Sandler and Barrymore made a winning duo in The Wedding Singer. That film marked the first time Sandler tried to take his film persona in a new direction -- something he attempted more boldly in Paul Thomas Anderson's underappreciated Punch-Drunk Love. Sandler obviously learned from his experience on Punch-Drunk Love how his infantile screen persona can be allowed to grow up. With 50 First Dates, he has taken the lessons from that film, and packaged them in a way that his audience can accept. ~ Perry Seibert, All Movie Guide
4 - customer reviews
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Cast
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Production Credits
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Adam Druxman
| - | First Assistant Director | |
Alan Au
| - | Production Designer | |
Alexander Hill
| - | Storyboard Artist | |
Alfred Ainsworth
| - | Video Assist | |
Allan Brady
| - | Gaffer | |
Allen Ruilova
| - | Digital Effects | |
Ann Pala
| - | Makeup | |
Anthony Buchanan
| - | Production Assistant | |
Anthony Hoffman
| - | Production Assistant | |
Bill Coe
| - | First Assistant Camera | |
Bill Marti
| - | Second Assistant Camera | |
Bobby McMahan
| - | Second Assistant Camera | |
Boyd Steer
| - | Negative Cutter | |
Brad Robinson
| - | Production Assistant | |
Brycen Counts
| - | Stunts | |
Cameron Matheson
| - | Set Dresser | |
Cameron Steenhagen
| - | Sound Effects Director | |
Carl Rydlund
| - | Additional Music | |
Carlo Volpati
| - | Digital Effects | |
Carme Tenuta
| - | Key Make-up | |
Carrie L. Ringler
| - | Production Assistant | |
Central Casting
| - | Extra Casting | |
Charles Saldana
| - | Key Grip | |
Chris Parker
| - | Set Dresser | |
Chris Walkowiak
| - | Special Effects Foreman | |
Chuck Askerneese
| - | Assistant Properties | |
Clare Hallworth
| - | Assistant Costumer Designer | |
Clay Weber
| - | Foley Editor | |
Cliff Fleming
| - | Pilot | |
Daniel Lupi
| - | Executive Producer, Unit Production Manager | |
Darren Michaels
| - | Still Photographer | |
Dave R. Bleich
| - | Matte Artist | |
David Alexandre
| - | Production Assistant | |
David Bach
| - | ADR Supervisor | |
David Kelson
| - | Sound/Sound Designer | |
Demelza Cronin
| - | Assistant Production Coordinator | |
Derek Vanderhorst
| - | Sound Effects Director | |
Domenic Silvestri
| - | Art Director | |
Don Woodruff
| - | Assistant Art Director | |
Drake Jenevein
| - | Assistant Sound Editor | |
Dru Homer
| - | Art Department Coordinator | |
Ed Kashiba
| - | Production Assistant | |
Elizabeth Torres
| - | Casting Associate | |
Ellen Lutter
| - | Costume Designer | |
Elmo Weber
| - | Supervising Sound Editor | |
Francois Bordez
| - | Model Effects | |
Gary Guercio
| - | Stunts | |
Gary Thomas
| - | Storyboard Artist | |
George Wing
| - | Screenwriter | |
Howard London
| - | ADR Recordist | |
Ivo Horvat
| - | Matte Artist | |
J.J. George
| - | Music Editor | |
J.J. Titone
| - | Production Assistant | |
Jack Giarraputo
| - | Producer | |
Jack N. Green
| - | Cinematographer | |
James Bayliss
| - | Set Designer | |
James D. Wickman
| - | Dolly Grip | |
Jason Gourson
| - | First Assistant Editor | |
Jay Roach
| - | Executive Producer | |
Jeannie H. Kelly
| - | Assistant Costumer Designer | |
Jeff Gourson
| - | Editor | |
Jim Bissell
| - | Second Unit Director, Visual Consultant | |
Jim Triplett
| - | Location Manager | |
Joe Kontra
| - | Second Assistant Director | |
John Hammer Maxwell
| - | Set Dresser | |
John Hartigan
| - | Special Effects Coordinator | |
John Hockridge
| - | First Assistant Director | |
John Powers
| - | Best Boy Grip | |
Joseph Urbancszyk
| - | Camera Operator | |
Josh Geisler-Amhowitz
| - | Matte Artist | |
Justin Healy
| - | Assistant Location Manager | |
K.N.B. EFX Group
| - | Makeup Special Effects | |
Karen D. Higgins
| - | Construction Coordinator | |
Katherine Gourley
| - | Production Assistant | |
Kendra Carter
| - | Casting Assistant | |
Kerri Smeltzer
| - | Production Secretary | |
Kevin Grady
| - | Associate Producer | |
Kevin McCarthy
| - | Storyboard Artist | |
Kyle Rochlin
| - | Foley Mixer | |
Larry Kennar
| - | Co-producer | |
Laura J. Weiss
| - | First Assistant Editor | |
Leann Emmert
| - | Assistant Location Manager | |
Leslie Brown
| - | Costume Designer | |
Lila Yacoub
| - | Production Manager | |
Lisa Lee Mitchell
| - | Assistant Production Coordinator | |
Lona Vigi
| - | Hair Styles | |
M. Jay Roach
| - | Executive Producer | |
Marc Glassman
| - | Foley Editor | |
Margaret J. Doversola
| - | Extra Casting | |
Mari Grimaud
| - | Key Costumer | |
Mark C. Weissenfluh
| - | Leadman | |
Mark Vuille
| - | Chief Lighting Technician | |
Martha Johnston
| - | Set Designer | |
Martin L. Hudson
| - | Assistant Location Manager | |
Martin T. Charles
| - | Graphic Design | |
Max Brehme
| - | Production Manager | |
Michael A. Russell
| - | Costume Designer | |
Michael Adams
| - | Stunts | |
Michael Brady
| - | Stunts | |
Michael Dilbeck
| - | Musical Direction/Supervision | |
Michael Ewing
| - | Executive Producer | |
Michael K. O'Melia
| - | Assistant Chief Lighting Technician | |
Michael L. Phillips
| - | Second Assistant Director | |
Mo Henry
| - | Negative Cutter | |
Nancy Juvonen
| - | Producer | |
Nancy Karlin
| - | Script Supervisor | |
Nancy Senaga
| - | Production Assistant | |
Nanxy Ton Heater
| - | Department Head Hair | |
Nicole Nakamoto
| - | Production Assistant | |
Nina Hallworth
| - | Assistant Costumer Designer | |
Norman Kali
| - | Production Assistant | |
Orada Jusatayanond
| - | Sound Effects Director | |
Pamela Nedd Kahn
| - | Foley Artist | |
Paul Eliopolus
| - | Stunts | |
Pauletta Lewis-Irwin
| - | Key Hairstylist | |
Pete Anthony
| - | Conductor | |
Peter Green
| - | First Assistant Camera | |
Peter Segal
| - | Director | |
Phillip Janssens
| - | Negative Cutter | |
Rob Severin
| - | Production Assistant | |
Robert C. Jackson
| - | Boom Operator, Dialogue Editor | |
Robert Greenfield
| - | Set Designer | |
Robert Q. Mathews
| - | Costumes Supervisor | |
Robin Fredriksz
| - | Makeup | |
Roger Mussenden
| - | Casting | |
Rose Librizzi
| - | Department Head Makeup | |
Russell Farmarco
| - | Dialogue Editor | |
Ryan Staniec
| - | Production Assistant | |
Scott Bankston
| - | Co-producer, Executive Producer | |
Scott Berri
| - | Production Assistant | |
Sean Ginevan
| - | Leadman | |
Shayna Ritenour
| - | Camera Loader | |
Sheena Duggal
| - | Special Effects Supervisor | |
Sony Pictures Imageworks
| - | Animator, Special Effects | |
Spooky Stevens
| - | Unit Publicist | |
Stephen Campanelli
| - | Camera Operator | |
Steve Berens
| - | Head Animal Trainer | |
Steve Golin
| - | Producer | |
Steve Rhee
| - | Visual Effects Editor | |
Stuart Grusin
| - | Music Editor | |
Summer Banner
| - | Script Supervisor | |
Susan M. Ehrhart
| - | Production Coordinator | |
Tara Fuller
| - | Stunts | |
Teddy Castellucci
| - | Composer (Music Score) | |
The Reel Team
| - | Voice Casting | |
Thomas Hauptman
| - | Pilot | |
Tim Wiles
| - | Production Manager | |
Timothy Grant Engle
| - | Second Second Assistant Director | |
Timothy Hillman
| - | Location Manager | |
Tom Costain
| - | First Assistant Editor | |
Tom Mgrdichian
| - | Additional Music | |
Victoria Alonso
| - | Visual Effects Producer | |
Vince Truitner
| - | Digital Effects | |
Vincent Guisetti
| - | Foley Artist | |
Webster Whinery
| - | Stunts Coordinator | |
William W. Weiske III
| - | Production Manager |
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Format: Blu-Ray DVD
Release Date: 6/20/2006
UPC: 043396151246
Item ID: 722156
Studio: SONY PICTURES
ProductID: CTR15124BR
Region: A Audio: Dolby Digital w/ sub-woofer channel Language: English, French Subtitles: English, French, ko, Portuguese, Spanish, th Weight factor: 1 item(s)
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Features
Seamless menu navigation
Actor & director's commentary
Gag reel
"Talkin' Pidgin" featurette
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