Region: 1
Video: Enhanced Widescreen Letterbox for 16x9 TV
DVD Aspect Ratio: 2.40:1
Language: English, French
Subtitles: English, French, Spanish
Weight factor: 1 item(s)

Plot Synopsis

Frankie Dunn (Clint Eastwood) is a veteran boxing trainer who has devoted his life to the ring and has precious little to show for it; his daughter never answers his letters, and a fighter he's groomed into contender status has paid him back by signing with another manager, leaving Frankie high and dry. His best friend and faithful employee Eddie Dupris is a former fighter who Frankie trained. In his last fight, Eddie suffered a severe injury, a fact that brings Frankie great guilt. One day, Maggie Fitzgerald (Hilary Swank) enters Frankie's life, as well as his gym, and announces she needs a trainer. Frankie regards her as a dubious prospect, and isn't afraid to tell her why: he doesn't think much of women boxing, she's too old at 31, she lacks experience, and has no technique. However, Maggie sees boxing as the one part of her life that gives her meaning and won't give up easily. Finally won over by her determination, Frankie takes on Maggie, and as she slowly grows into a viable fighter, an emotional bond develops between them. When a tragedy befalls one of the three characters, each comes to a decision that shows how the relationships in the film have changed them. Adapted from a short story by F.X. Toole, a former corner man with years of experience in the fight game, Million Dollar Baby also stars Morgan Freeman, Anthony Mackie, and Mike Colter. ~ Mark Deming, All Movie Guide

Editorial Reviews:

The best decision made by director Clint Eastwood in Million Dollar Baby is to allow Clint Eastwood the performer to drop his screen persona and actually act. As the weathered boxing trainer Frankie Dunn, Eastwood does not seem larger than life, he seems beaten down by it. His banter with Morgan Freeman, as a boxer he used to train, occasionally plays like a brilliantly written Seinfeld episode featuring senior citizens. But often those conversations suddenly hint at great pain and regret, adding an unexpected gravity. Hilary Swank provides the necessary drive and spunk to make the audience believe she would eventually win the emotionally closed-off Frankie over. The first half of the film, an excellently observed boxing drama, allows the audiences to meet the characters and understand where they are in their lives. However, a big event happens (one that would be inappropriate to reveal in this review) and the second half of the film becomes an old-fashioned melodrama. Eastwood's directorial style can be described as low-key, even when the emotions in the film are practically operatic. This decision will either draw audiences into the characters' struggles, or it will distance viewers who feel the film is not allowing them to feel the emotions as fully as possible. At worst, people will be interested in rather than involved with the characters, but those who respond to Eastwood's style will probably be emotionally devastated. What one is left with is a memory of Eastwood's face, that leathery mask of taciturn male pride, cracking with the recognition of where his own life choices have left him. He has directed better films, but he has never given a better performance. ~ Perry Seibert, All Movie Guide