Region: 1
Video: Enhanced Widescreen Letterbox for 16x9 TV, Pan and Scan for TV
DVD Aspect Ratio: Theatre Wide-Screen (1.85:1), Pre-1954 Standard (1.33:1)
Audio: Dolby Digital w/ sub-woofer channel
  Dolby Digital Mono
Language: English, French
Subtitles: English, French
Weight factor: 1 item(s)

Plot Synopsis

Milos Forman's adaptation of the tribal rock musical Hair stars John Savage as Claude, a quiet young man from the Midwest who becomes friendly with a group of New York hippies on his way to begin basic training in the military. The repressed Claude is quite taken with Berger (Treat Williams) and the group of freedom seekers who reside in Central Park. The group encourages Claude to go after a debutante named Sheila (Beverly D'Angelo). Legendary choreographer Twyla Tharp masterminded the dances, which attempt to flow from the natural settings of the film. The film includes most of the more famous songs from the original play, including "Donna," "Aquarius," "Easy to Be Hard," "Let the Sunshine In," "Good Morning Starshine," "Frank Mills," and the title number. ~ Perry Seibert, All Movie Guide

Editorial Reviews:

While a disappointment at the box office, Hair is noteworthy for several reasons, chief among them the fact that it is a surprisingly good adaptation of a play that should have defied translation to the screen. Working with screenwriter Michael Weller, director Milos Forman has taken what on-stage was an atmospheric period piece with no discernible plot and created a coherent story with considerable emotional impact. The talented ensemble cast is of enormous help, especially Treat Williams, John Savage, and Beverly D'Angelo, but what makes the movie is Galt MacDermot's dazzling score -- and choreographer Twyla Tharp's and Forman's interpretation of it. From the camera's dizzying sweep around Ren Woods as she sings "Aquarius" to Savage's drug-induced wedding ballet to the crowded masses surrounding Savage in "Where Do I Go," the songs are staged with that rare combination of confidence and vitality that always mark the best moments in musical films. The sketchiness with which the characters are drawn, a problem arising from the large number of characters and compounded by lyrics that are more pop- than character-driven, damages the film, and many do not respond to its "take" on the 1960s, but overall Hair is a worthwhile and enjoyable film. ~ Craig Butler, All Movie Guide